The Search for Mentor Texts

“Read more books about this topic,” she said, “Some of the best writers read 50 comp titles.”   I’ve heard this before, probably too many times.  “But I read picture books all the time!” I thought with frustration and also, “How the heck  am I going to get my hands on that many books?”   But in the spirit of critique group etiquette, I slept on it.  I thought it over.  I did my best to detach from my manuscript and read it with the same critical eye that she did. Guess what? She was right.  (That seems to be her pattern.) I am reading LOTS of picture books, but rather than reading with intention, I’ve fallen back into the habit of quickly casting a wide net that includes some new titles, a few old favorites and a couple that my kids grab on face value alone.

The challenge that my kids and I undertook this summer was to read 100 Picture Books.  But knowing myself and my tendencies to grab-&-go, I followed a list, as closely as possible, to guide us to stellar books we hadn’t yet read.  It was a smashing success, but since the summer has ended (early August around here), we’ve slacked off on our library runs and I’ve been a lot less intentional with my selections. Now that I’m writing more and polishing up a handful of manuscripts to begin the querying process, I need to hone in on the topics that I’m writing about now.  I need mentor texts. I need comp titles.  I need help.  Just a quick Google search usually reveals a good starting point.  If I’m lucky, there will be a Goodreads list on the topic.  Just for the sake of experiment, I searched for the following lists on Goodreads and was blown away by the results: Picture Books about… Seasons, Food, Family, Friendship, School, Geography, Emotions, Holidays, I could go on and on.  (Addendum, I just listened to a podcast that talked about utilizing Amazon searches/filters to find comps, another great idea.)

I also set off to the library as soon as it opened. Low and behold, there it was, the very book that my critique group facilitator suggested, waiting for me on display.  I read it and it was brilliant.  Having comparable titles has always been a bit of a struggle for me.  I understand their importance, but it just doesn’t come naturally. I could give you the laundry list of reasons why,  but  I’ll spare you the details.  They’re just excuses anyway.  Just because something doesn’t come easy, doesn’t mean it isn’t necessary.  In fact, that’s the very reason I need to submerge myself in mentor texts.  Thankfully there are a number of social media outlets and though I had only heard of it, I knew it was time dive into the world of ReForReMo.  Reading for Research Month Challenge, held in March, “was developed to help picture book writers reform writing by reading and researching picture books.” (http://www.carriecharleybrown.com/reforemo).   I’m a few months early to sign up for the challenge, but there’s a Facebook group… request to join, sent and accepted.

The most wonderful thing happened, I found exactly what I was looking for!  Taking it further than this manuscript, I posted a question looking for mentor texts for another project.  For this second one, my searches weren’t producing much fruit but the members of the ReForReMo group sure did in a hurry.  Here’s just another great example of the Kid Lit community looking out for each other.  I know this world is filled with fantastic writers, many of them who still carry the pre– in front of published.  The fact is, I I feel blessed to be writing in this day & age (cue Full House theme song). So as I sit and soak up the goodness of this latest library haul, guided by suggestions, I’m sending up grateful vibes to the kid lit universe; grateful for the chance to just sit and read picture books on a Saturday morning, grateful for this new tool in my toolbox and especially grateful for my new ReForReMo friends, and the brains behind its wonderful operation.  Happy reading and happy writing!

 

Thanks for reading, come back anytime!

-JP

Let’s Talk, Writing Picture Books (and so much more)!

It was one of those surreal moments that will forever be embedded in my brain.  Right in my inbox, an email from the Contact Me page here on my blog. She read my recent post and thanked me for mentioning her book.  This line was the kicker, “If you ever want to interview me for your blog, I’m available… “ANN WHITFORD PAUL, Y’ALL!  I started this blog to make connections, but this was more than I dreamed of.  You see there was a time at the end of last year when I decided that it was time to invest in myself and my writing journey.  Being a one (and a half) income family with three small kids, a mortgage and a life, I had to spend wisely.  At that time, I wasn’t fully aware of the expansive Kid Lit online community, but I did come across a deeply discounted webinar package that came with a copy of Writing Picture Books by Ann Whitford Paul.  I had been eyeing this book for months, and the price of the whole bundle was exactly what I was looking for.  As soon as the book came in, I devoured it and it has since found a permanent spot on my nightstand.  For me, this book was the beginning of my education as a writer; it’s my kid lit foundation.  In addition to her impressively informative book, my kids and I are also huge fans of her picture books and she has another coming out soon! So, I invite you to come along for my conversation with Ann as we talk about her writing career, including books for both children and adults.

Thank you so much for agreeing to visit with me, Ann! This is such a wonderful treat.  Can you start by telling us a little about yourself and how you started writing for Children?  I was born and lived mostly in the Midwest, Chicago and Madison Wisconsin, with interludes in Philadelphia.  Graduated from the University of Wisconsin and Columbia University School of Social Work.  I worked for several years in a hospital where I met my husband.  Our honeymoon was a drive across country to California where he had taken a job.  I stopped doing social work when the first of my four children were born and would have loved working part-time but Ronald Reagan was governor and cutting back on social programs.  I had to find something else and it was that lovely quiet time of reading with my children that inspired me to try writing books that other grown-ups and children could share together.

Your first picture book was published in 1985, and you have upcoming books scheduled for the next two years, how tremendous! How do you keep up with the changing industry?  How do you keep your writing skills sharp? I think I keep up with the changing industry badly.  It’s been a special challenge when editors are looking for “edgy”.  That’s not me, but I do try to add a little more humor to my writing and to think outside the box.  Still, I’m me and it’s hard for me not to write who I am.  I keep my writing skills sharp by writing every single day and I belong to a monthly kid’s lit group where we discuss a new middle-grade or YA and a picture book.  That keeps me up with the latest publishing trends.

What is the most interesting shift in the children’s book market that you notice happening now? When I started out in the business, most sales went to the school and library market.  Now on-line and independent stores are where the sales are going.  That means the books have to appeal to parents who are not necessarily savvy about what makes a good story.  Art is becoming much more important and especially what appears on the cover to attract buyers. 

In 2009, 24 years after your debut picture book was released you published Writing Picture Books.  What prompted you to put this book together?  Was there anything new about the publishing process in writing for adults? I had been teaching for over ten years at UCLA Extension and at numerous conferences.  One of my students suggested, no pushed and prodded, me to write a book.  It was certainly a challenge, but once I told myself to look at each chapter as a long picture book, I was able to fool myself into thinking I could do it.  One of the super-nice things about writing for adults is that I didn’t have to split my earnings with an illustrator.  And I hear back from so many writers about how the book has helped them.  I love getting those notes and e-mails.

I have to tell you, my critique partners and I call your book ‘The Picture Book Bible’. Writing Picture Books is filled with such invaluable information and advice.  How did you organize and compile all your thoughts for the book?  See what I mean about hearing back from writers.  Thanks so much!  The organization was actually fairly easy, because I tried to organize my classes around those chapter subjects.  Also, because I’d given many talks, I was able to adapt some of those into the book.

 It sure seems to have a life of its own. Has the book accomplished everything you hoped since its publication?   What does the future hold for Writing Picture Books?I’m so glad you asked this question, because right now I am deep into doing an updated and revised edition of WRITING PICTURE BOOKS which will be published fall 2018.  There will be some new chapters, all new examples and all new books cited.  Also, Writer’s Digest Books (the publisher) and I are partnering to fund the SCBWI Most-Promising Picture Book Award to recognize and encourage the work of aspiring picture book writers.

Ohh, that’s very exciting!  I can only imagine the wisdom those pages will hold.  Since you’ve taught so many of us HOW to write, I’m curious, what is the most important piece of advice you’ve been given as a writer?  “Write what you know.”  I’m aware that’s mundane and everyone has heard it over and over again, but I’m an insecure writer and have lived a fine and thankfully uneventful life.  I’ve never saved a child from drowning, never stopped a bank robbery and never swam the English Channel, (but my son did) so I worried, and still sometimes do, wondering what on earth I have to write about.  But years ago at an SCBWI conference, hearing those words made me think about the patchwork I loved sewing and about how the names of the patterns spoke of long ago life.  I was so inspired, I finished the manuscript for EIGHT HANDS ROUND: A PATCHWORK ALPHABET IN six months.  That my hobby, my love of history and how people lived, could resonate with others (the book is still in print after twenty-five years) has made me less likely to push aside my ideas that might seem pedestrian.  I accept that my ideas might be boring to me, but exciting and fascinating to others.  Write what you know and are passionate about and your stories will touch others.

 Such great advice!  I try to remind myself often to be authentic in my writing, I can only tell my stories, not someone else’s right?  Speaking of my stories, I’ve learned from more than just your book, in your webinar for Kid Lit College, you talk about the importance of making a dummy.  That webinar is still one of my favorites. It completely reinforced what you wrote about in Writing Picture Books and totally transformed my creative process.  Why is making a dummy such a crucial step for writers? I’m glad you found making a dummy so helpful and transformative.  It was, and continues to be, the same for me.  There’s something about seeing your words cut out and pasted onto pages that you have to turn that shows you where your story weaknesses are.  Invariably when I make a dummy, I find words that can be cut.  Recently I’ve noticed in my writing that I tend to go on a bit too long after the problem has been solved.  That usually means I don’t have enough in the middle of my story or that I can delete or tighten the wrap-up at the end.  The act of reading my dummy aloud and turning the pages helps me to create stronger page turns also.  I would never submit a manuscript without making a dummy first.

Next month (October 2017) you’re scheduled to release If Animals Said I Love You.  This makes your Animals an adorable series. Congratulations!  Can you tell us a little about how the second book came about, eight years later? (If Animals Kissed Goodnight, 2009 was the first) On a trip to New York, I decided it would be a good time to meet the editor, Janine O’Malley, who had taken over for my original editor on IF ANIMALS KISSED GOOD NIGHT and had a lot to do with making it into a board book.  I arrived at an auspicious time for that very day, FS&G had ordered a huge reprinting of the book.  The board book, much to my joy and delight, had taken off in this new format.  In that meeting, Janine had suggested writing a follow-up, which I did.  I wrote TWO!  One about animals bathing in tubs and another about animals wearing clothes.  She rejected them both and suggested I write IF ANIMALS SAID I LOVE YOU.  I was doubtful.  Wasn’t that very close to IF ANIMALS KISSED?  However, my son Alan and his family live in South Africa and we were headed there for a visit and I determined to at least try and write that story while there.  We went on several safaris where I made notes and wrote couplets about them.  Also we went trekking to see Gorillas.  Something I would never do again—three hours straight up to find them.  I ached for days afterwards.  To make this story a bit different, I decided not just to have parents and children express love, but grandparents and cousins and siblings.  The manuscript was completed during our three week trip.

That sounds like the trip of a lifetime, and it was productive to boot! Fabulous! I actually have a safari themed manuscript and going on safari is on top of my vacation wish list, now my wheels are turning… Hmmm… Okay, before I get carried away let’s get back to the good stuff… The rhythm and rhyme scheme of If Animals Kissed Goodnight is one of my all-time favorites.  Was writing the second book more, or less challenging than you anticipated?  It was both.  When there’s a first book, the format is already determined, so you’re kind of locked into it.  The challenge for me was to work to differentiate the two since they were both about ways of expressing love.

While I was preparing for this interview, I read a 2013 interview you did with Henry Herz and I realized we share a love of Jane Austen! Just to make sure my daughter started her little life off right, I read Pride & Prejudice to her as a newborn.  Are you reading anything now?  Who’s your favorite author? Jane Austen is definitely my favorite author.  I’m also hooked on Louise Penny’s Inspector Gamache mystery series.  I belong to three different book clubs so am always in the middle of a book—one is a couples reading club, another women only (and you wouldn’t be surprised to discover that co-ed book clubs are drawn to different books than the single-sex ones.)  In addition, I belong to a book club of teachers, librarians and writers and illustrators that read one novel (middle-grade or YA) and one picture book each month.  We post our discussions here:http://bookchatthursday.blogspot.com/

Is there anything else you have coming out soon?  Where can my readers find you if they want to follow along?

There are two more books upcoming in the animal series.

IF ANIMALS SAID MERRY CHRISTMAS will be published in the fall of 2018

IF ANIMALS WENT TO SCHOOL will be published in the fall of 2019

WRITING PICTURE BOOKS—New and Revised edition will be published in the fall of 2018.

I publish a monthly (sometimes less frequently) newsletter that you can sign up for here:

Sign up for my e-mail newsletter

Check out my web-site www.annwhitfordpaul.com.

Thank you so much for sharing your time, energy and wisdom with me! I had such a hard time narrowing my questions down to these 12.  Congratulations on your upcoming releases! Happy Writing! 

 Guess what? I have ANOTHER exciting interview coming next week… actually, make that TWO.  First up, is my chat with Megan Ur-Taraszkiewicz, founder of The Writer’s Match.  Do you have enough critique partners? Do you have a go-to place to find and connect with more?  If you answered ‘No’ to either of those questions, stop what you’re doing and check out The Writer’s Match.  It’s a free website that creates critique partnerships and allows you to search based on genre, experience level, and more.  I’ve had great success, and I know you will too! And after I share Megan and I’s chat, it’ll be time for Paper People with Liz Wong, author/illustrator of the adorable Quackers.  She has so many exciting things happening, you definitely don’t want to miss it.  Okay, that’s all for now.

And after I share Megan and I’s chat, it’ll be time for Paper People with Liz Wong, author/illustrator of the adorable Quackers.  She has so many exciting things happening, you definitely don’t want to miss it.  Okay, that’s all for now.

 

See you Friday!

Thanks for reading, come back anytime!

-JP

Steering the Craft

It’s been a struggle of mine from the beginning.  I love to learn, I’ll soak up every chance I find to hone my skills and expand my knowledge on writing for children.  I keep hitting the same roadblocks, however, and in my most honest moment yet… the biggest one is cost.  I desperately want to learn from the greats.  I would devour any and every piece of wisdom that these prolifically published authors can share if only I could afford it.  You may or may not understand the struggle, but for me, it’s become quite the ‘hamster wheel’.  How am I ever going to find success as a picture book writer if I don’t learn more from those who’ve done it well?  How am I ever going to be able to afford these courses if I don’t sell (a few) books first? But, I can’t sell books that aren’t sellable, so I need to improve… but in order to improve, I need to find a way to afford the fees… and on, and on, and on.

My first venture into the picture book world came by way of a deeply discounted webinar package that included a copy of Ann Whitford Paul’s Writing Picture Books.  Since then I’ve remained on the hunt for the literary version of clearance rack deals: webinars offered at a discount, free courses and social media communities that offer guidance and expertise.  Truth be told, some of what I was hearing started feeling repetitive and I couldn’t help but feel that something big was missing from my toolbox though.  In a moment of clarity, I realized that I can hear the same lessons over and over and over again, taking something different from each… but only if my writing is good enough to handle the challenges.  I think I allowed myself to get so bogged down in writing the perfect picture book, that I jumped ahead of myself.  All my energy focused on the picture book end, and I am still missing key components of basic writing.

So, what do I do when I’m feeling down and discouraged? I take myself to the library!  Down at the very bottom of a shelf, taking up only a small section of space, I found the books on writing.  (Seems ironic to me, that in a building filled with writings, there were so few books on the topic, but I digress.)  I only had about ten options, and the attention span of my three cohorts was waning, so I quickly chose two and we checked out.  Fast forward to the following weekend and I realized that I held a gem in my hands.  One chapter in to Steering the Craft by Ursula K. le Guin and I ordered my own copy from Amazon. (On sale, no less!) I also stumbled upon an idea, and after sleeping on it and fleshing it out a bit, I created an online book study via Facebook.  There, a handful of critique partners, kindred spirits, new friends and I will take one chapter at a time, and reset our focus on basic writing skills.  (Are you interested? Email me or find me on Facebook if so… we start Oct 1!)

I think so highly of those who see a void and take actionable steps to fill it.  So, that’s what I’m trying to do with the book study, even if it’s only my own personal void.  I hope all the group members benefit from the book, I also hope we connect a bit more as a small community who can support each other on this journey. I have no doubt that my time and energy (and money) will be well spent, once I sharpen my skills a bit more. And there are numerous communities and opportunities out there at little/no cost to help writers along the way.  I’ve included a short list here of the ones I’ve found helpful… If you have other suggestions, I’d love to hear them!

  • Kid Lit College offers webinars for a small fee ($20-$40 range) and some have been incredibly helpful… one, in particular, ‘Be A Better Critique Partner’ by Heather Alexander I keep on repeat, for myself and my critiques.
  • On Facebook, a group called ‘Debut Picture Book Study’ takes one debut picture book each month and breaks it down and holds a discussion to help readers learn from it. I’ve not been able to participate as much as I’d like, but the conversations are enlightening and I’ve learned a good bit, even if from the fringes.
  • Susanna Hill’s blog is a treasure chest of all things Kid Lit, she runs many different series… ‘Would You Read it Wednesday’ is a great segment, that allows readers to submit their PB pitch and then allows other readers to comment/critique. Pitches are so important to the PB process and something I struggle with in a big way. I think I’m going to try… (update: I did it! I’m on the books for November 8!)
  • Podcasts! I’ve fallen in love with the wisdom these audio gems provide. I really need to start taking notes…
  • SCWBI’s webinar calendar offers a wide variety of topics and all are very well priced. I haven’t dug into these but I’m eager to do so.

I know there are other opportunities, some I’m not even familiar with yet (and some are going to be discussed in another post!) To wrap up, I want to include a quote from the Introduction of my new favorite book…

“A skill is something you know how to do.  Skill in writing frees you to write what you want to write…. Craft enables art.  There’s luck in art.  And there’s the gift.  You can’t earn that. But you can learn skill, you can earn it.  You can learn to deserve your gift… but first of all-it is an art, a craft, a making.  And that is the joy of it.  To make something well is to give yourself to it, to seek wholeness, to follow spirit.  To learn to make something well can take your whole life.  It’s worth it.”            

Ursula K. le Guin Steering the Craft: A 21st Century Guide to Sailing the Sea of Story 2015 edition, pg.xii

 

Here’s to leaning to deserve my gift, your gift, all our gifts.

Thanks for reading, come back anytime!

-JP

PS- I have a couple of exciting interviews coming up! Stay tuned for the next couple of Tuesdays for an extra Let’s Talk posts (one of which is about a certain ‘PB How-To’ book I mentioned earlier!), and then soon after the October edition of Paper People with Liz Wong!

Turning the spotlight

There’s one thing that I take almost as seriously as my writing, and that’s my critiquing.  For those of you not familiar with this aspect of the Kid Lit world, I’ll fill you in because it’s a curious but necessary process. You can pay people to critique your manuscript, join critique groups, and/or establish critique partnerships.  It’s a swapping of stories, suggestions, and constructive criticism, from people across the industry.  Think of it as “you scratch my back, I’ll scratch yours” but instead it’s “You read mine, provide feedback, I’ll gladly do the same.”  Many published authors provide critiquing services for a fee since they have the industry insight and personal success to stand on, but there are countless free opportunities as well.  I’ve talked about it before, I have a group, a few partnerships and some experience with paid services.

I enjoy critiquing, and as I said, I take it seriously.  If it takes a village to raise a child, it takes a posse to publish a book.  I try hard not to use empty words, keeping my comments productive and never shy away from the hard/awkward/clumsy/obvious questions.   I approach every critique as a way to help another writer, and I’m hopeful that those who look at my work for me do the same.  It’s all about karma, folks. I want to be an active and engaged member of this community. I want to contribute in a way that helps me to find success but also helps others on their way to publication.  I want to be known as a good and effective critique partner.

Every chance I can, I learn something about writing, and the same is true for my critiques.  I make notes and follow a similar set of questions/prompts.  I always give it more than one look, and usually ‘put a sleep cycle on it.’ Do you know what I don’t do?  I don’t do a very good job when it comes to critiquing myself.  This glaring truth surfaced this week, as I was getting ‘final’ thoughts from a couple of different partners, and they each sent stories my way.  I thought about the WIP that I’m readying for a contest, and realized that if I looked at my own work, I would have comments for days! What’s the deal? Why is there a disconnect in my brain?  How is it that I can hold others to higher standards but my own story slips by with major structural/formatting issues? Thankfully this came to light in time to shine the light on my own work.  I took my critiquing process and turned the tables, forcing myself to look at my WIP as someone else would.  To make a long story short, it was a roller coaster and my self-esteem took a hit.  Thankfully, I’m resilient and I was able to work through it.  I think, and hope, that I elevated my story to a new, and necessary level.  As soon as I hit ‘publish’, I’m sending in my contest entry.  He’s as ready as he’ll ever be.  Wish me luck!

 

Thanks for reading, come back anytime!

-JP

Finding his voice

Nathan.  The beloved main character of my precious, first manuscript.  I know him better than anyone, obviously, and sometimes refer to him as my fourth child.   It’s been over a year since I wrote his story and am constantly trying to do him justice.  I am a significantly better writer today than I was one year ago, at least when it comes to picture books,  so I know it’s improving.  There’s still something missing though; a disconnect that I haven’t been able to put my finger on.  He actually came close to getting shelved, since I last blogged about him, except I promised him a contest entry at the end of this month.  That makes me panic because he’s still not ready.

I have a critique partner who often says, “I love your voice!” when we swap emails about writing, mom-ing and all kinds of other unrelated randomness.  If this weren’t an electronic friendship, I’d think she was making fun of my thick Cajun accent. (Which thankfully not many of you have heard that yet! (I hope you find it ‘charming’ when you do.) I know what she’s saying, I’m animated and excited when I’m writing authentically.  I use A LOT of exclamation points, and I write what I speak when it comes to easy correspondence. I’ve known for a long time, that when I start trying too hard, my writing comes across as serious and stuffy.  It’s the difference between polite birthday party conversation and having a cup of coffee with a good friend.  It wasn’t until she said this, and did so more than once, that I had a bit of a writer’s revelation.  I think his voice is missing.

Sure, you could argue that his voice is actually my voice, but it’s missing none the less.  Here’s what I realized, going way back to the beginning.  I thought that writing in rhyme, which is how Nathan’s story started, was a good disguise.  A cute, rhyming rhythm was a way to glaze over the fact that I have a serious tone and limited knowledge.  Fast forward a few months, I learned a lot and shed the rhyme.  No doubt, it was one of the best things I’ve ever done, but it left holes in my story.  I’ve filled in many of the holes but never made it around to this one. Like all great critique partners, she issued a challenge.  Write the story from his perspective; tell it in his words.  So, that’s what my next move will be.  I’m going to take my third person story, and write it in first person, from the angle of a five-year-old boy.  I don’t imagine it’ll stay like this, but I do believe that it will reap great rewards.  I’m even cutting this short and sweet so I can get to my homework assignment.  The contest opens July 15, I’m writing on borrowed time!

 

Thanks for reading, come back anytime!

-JP

Week 5 of Our #100PictureBookSummer

 

I can’t believe that we’re half way through our summer reading list!  I have to be honest, I lost track of the week with yesterday being a holiday and today feeling like ANOTHER Monday.  But I’m here, we’ve been reading and this week is all about OC.

Seven and a half years ago, we dove head first into our life as parents with the birth of this precious girl.  She made her grand entrance earlier than expected, and with a little more excitement than we planned.  Wouldn’t you know it, she still does things on her own time and always with a bit of flair.  Her curly hair was and still is, a perfect match for her personality.  She’s equal parts cautious and impulsive, inquisitive and certain, and one hundred percent generous and thoughtful.   Lucky for me, she has the memory of an elephant; that often comes in handy when you’re an absent-minded momma.  She’s the first one to read any of my manuscripts, and she’s the silent third party of all my critique partnerships.  OC reads well, reads often and loves it most when she’s reading to her younger brothers. This week, with the list below, I asked her to read a little deeper into each story.  I wanted to know, not only her favorites but also the theme in each one.  We talked about the main characters, and the change each one underwent as the story unfolded.  She couldn’t pick out of the following two, and who was I do decide?  (spoiler alerts below)

  1. Ellie by Mike Wu
  2. The True Story of the Three Little Pigs by A. Wolf as told to Jon Scieszka, illustrated by Lane Smith
  3. Caps for Sale by Esphyr Slobodkina
  4. Swatch by Julia Denos
  5. Sleep Like a Tiger by Mary Logue and Pamela Aagarenski
  6. Red Cat, Blue Cat by Jenni Desmond
  7. Balderdash! By Michelle Markel and Nancy Carpenter
  8. Are We There, Yeti? by Ashlyn Ashtee
  9. Tuesday by David Wiesner
  10. Cloudette by Tom Lichtenheld (this one was a personal homework assignment from a friend, and a perfect fit… thanks, JH!)

For the full list of books we’re reading check out Book Nerd Mommy’s blog here http://www.booknerdmommy.com/100-picture-books-summer-reading/

“First, I really liked Red Cat, Blue Cat.  At the beginning of the book, they don’t like each other, until they try to be just like the other one.  Once they tried to be each other and it didn’t work out, they realized that being their own selves was the best of all.  That’s how it should be, really, you should always be happiest with who you really are.  I also liked Ellie, she was so sad because she didn’t have a talent.  All she wanted to do was help, but in the end, she discovered she had the greatest talent of all and saved the day.  We all have special things about us, we just need to use them.”

Wise words, from my wise girl.  I appreciate these books and the conversations they inspire more with each passing week.  But then again, picture books have always been, and will always be pure magic.  Thanks for hanging in through 50.  Wish us luck for our last few weeks!

Thanks for reading, come back anytime!

-JP

Tie your rafts.

I wish I had a dollar for every time I heard someone say, “I’d be lost without my critique group” or “my critique partners got me to where I am today”.  What’s a critique partner you ask?  It’s how we say ‘friend’ in kid lit-anese.  Trust me when I say, a writer in this world is nothing without them.  Tying your raft to a good and trusted partner, or an active and engaged group is the difference between floating alone in the Kid Lit ocean or floating with others, who bring drinks, chips, and dip and maybe even a karaoke machine.  You’re all still floating, but tied together will be much more fun!  It’s the strangest thing, sitting patiently while a good friend takes a red ball point pen to your latest creation, and magically, in the end, everyone wins.

Let me back up a little bit.  Only a couple of months back, I felt like the most eager, but isolated writer on the planet.  I shared here, many times, about my struggle to find my place in the community.  Then as the weeks passed, connections were made.   Some happened thanks to blogs, this one or others.  Different forms of social media have played a role, and as always seems to happen, the world grew smaller and connections bloomed from right under my own nose.  If you’re reading this and feeling like you’re bobbing alone, missing out on the party, I’d love to share some of the places I’ve met friends.

  • Facebook, seems obvious but there are so many groups it can be daunting. Some are active, others are not.  Some allow for good news to be shared, others only allow for questions to be asked and craft to be discussed.  I’ve found a critique group through Facebook, and there’s also a steady stream of blog posts and interviews that appear, always filled with new and exciting authors, or advice from the more seasoned ones.  This is really the best place to build a community.
  • Instagram is filled with book reviews and ‘beyond the book’ activities. It seems like each day there are one hundred book reviews, new and old.  Publishing houses post here too.
  • Twitter… sigh, I have an account now, but I still don’t really get it. I have heard that this is THE place to get info from agents and editors, and all around general kid lit news.   Using things like #MSWL (manuscript wish list) you can find out firsthand what they are all searching for and get a feel for whether you would be a good fit.
  • The Writers Match. This is a fantastic website that offers all the benefits of social media without the drama/excess.  The Writers Match is a place to help writers find critique partners, which hopefully turn into long and fruitful friendships.  You’re able to create a small bio, select what genre you’re interested in critiquing (anything you want is there, way more than just kid lit) and send private messages back and forth. I’ve had a wonderful experience since joining. thewritersmatch.com
  • Blogs! This is what’s always exciting for me because it’s the reason Magnolias was created.  I was in search of a community and convinced that others were out there too.  I’m fortunate enough to have crossed paths and connected with a few of them, and I’d like to introduce you to their sites as a way of saying thank you.  We have a lot of similarities between us, but we are all in different stages of this journey.

https://meganhaslemjones.wordpress.com/ Megan and I are kindred spirits, who met through NaPiBoWriWee.  We live on opposite ends of the country, but I’m convinced we were next door neighbors in a previous life, living in a cute little cul de sac with a certain other someone (*cough*Jody *cough*) living in between and balancing us out.

https://julielacombeauthor.wordpress.com/ I am lucky enough to be in the same critique group as Julie.  We quickly discovered that our writing styles are similar and personally we have a lot in common.  She even has a Cajun connection!  Our journeys started around the same time and continue to mirror each others I hope this doesn’t change.

http://www.patriciasaunders.com/ About ten years ago, I spent part of two summers living with my aunt and helping at a camp for gifted kids that Patricia was teaching at.  Fast forward to current day, and unbeknownst to be, she’s chasing a similar dream.  That same aunt helped me reconnect with her and she’s taken me under her wing and nudged me in the right direction on more than one occasion.  Her debut picture book, and a second, will hit bookstore shelves soon!

And finally, http://themaggieproject.blogspot.com/  Randi was probably one of the first connections I made and has been a gracious mentor and friend.  Her debut picture book is due out this summer!! You can learn more about Maggie, and her journey to publication at the link posted.  Randi has a couple of other websites, including an e-magazine that she publishes. They’ve all been filled with great information. I’m honored to be a part of her book launch team next month! Stay tuned for more!

This is surely not a list of everyone’s path I’ve been fortunate enough to cross, but they are all wonderful writers who I’m lucky to call friends.  If you have a moment, check out their websites and read their take on this wonderful journey.  As always, I appreciate you spending time here.

 

Thanks for reading, come back anytime!

-JP