It’s a fact, the dummy changed my life. Dramatic as that may sound, from the perspective of a picture book writer who felt stuck in her own revision process, it’s completely true. I’ve known about the concept of dummy picture books for months now, and I’ve heard (or read) tons of people talk about what a necessary step it is. I must be a slow learner because I’ve been avoiding it until this week. But I did it, and I love it and I can’t wait to talk about it.
I used scrapbook paper because I like the weight of the paper in my hands. After I cut them in half, stapled them together and numbered them 1-32, I pasted in my text. I started on page 5. (And if anyone has a different opinion on this, please share.) For this dummy, which will be the first of many, I just separated my sentences into what I thought would work best. You have to start somewhere, right? It blew my mind what a different feel the story had, now that it’s not in paragraph form on 8.5 x 11” sheets of paper, and instead actually resembles a book. Many of my hiccups became clear, as did clumsy wording and soft spots in my story. There are a few of my sentences that need to be tightened up, and for probably one-third of those, I could easily see how to do so. I’m going to keep chipping away at the edits that are surfacing from this experience. Of course, I’m going to make another, if not more after that, touching things up along the way. How crazy that I was leaving out this incredibly crucial step!
As I’m still digesting the revelation that I talked about in my last post, and coming off my ‘dummy’ high, I know what wrinkles need to be ironed out now… Read Aloud Potential. It’s the obvious next step and is exactly what the dummy is helping me to discover. I don’t just want to write a picture book; I want to write some kid’s favorite picture book. On top of that, I want to write one that parents love to read to their children. (aka Panda Cake!) That’s where the magic happens in this corner of the market, and it’s completely unique to picture books. I know my opinion of the book I’m reading affects the quality of my reading and the tone of my voice. I know the pain of being asked to read a story to one of my kids that I REAAALLLYYYY don’t like, or when I suggest one that’s not a favorite of my kids. On the other hand, I know the joy and delight that comes when I read a story that we all love, and what a richer experience it makes. I want to write one of those, and I need its real aloud potential to be off the charts. (Mary Kole just posted a great video blog on this exact thing, you can find it here if you want more info)
So, the moral of this story… make a dummy of your picture book manuscript, in fact, make a dozen. I’m going to the store tomorrow, stacking up on paper and glue sticks, and will turn my sweet little writing desk into a dummy factory.
In somewhat unrelated news… Kid Lit College is having a Board Book contest, with two categories (standard & novelty) going on now through May 31. There’s also a chapter book contest going at the same time. I’m going to enter the board book contest with a blend of one of my NaPiBoWriWee stories and a previous project! The winner gets their manuscript critiqued by five editors, what a great opportunity.
Also, my daughter finished and submitted her #50PreciousWordsforKids entry. We had a blast working on her story together. This was one she had previously written but was way above the word limit, so we talked and walked through a bit of editing together. Mother-Daughter editing; it did get as dicey as it sounds, but that was short-lived, and she was very proud of her finished product. You can read Mia the Cat and all of the entries here. The contest received entries from 15 states and 6 different countries. It was a wonderful lesson for my seven-year-old on just how small the world is while at the same time expanding her view beyond the city limits of our small town. Whew, I think that’s all I have for today.
Thanks for reading, come back anytime!